Megadeth's Dave Mustaine, Creed's Scott Stapp and Tonic's Emerson Hart are among the stars that will be features in the special Rock To Remember concert that will be streamed tonight Monday, February 20 at 7:00 pm CT.
Prime PR shared these details: Gibson Gives and Guitars For Vets will celebrate U.S. Veterans with the "Rock To Remember" concert, live-streaming via GuitarsForVets.org (here).
"Rock To Remember" was filmed at the Gibson Garage in downtown Nashville on Veterans Day last year and raises funds to provide music programs for returning U.S. Veterans affected by PTSD. (continue)
Glenn Hughes has announced that he will be celebrating the 50th anniversary of the iconic Deep Purple album, "Burn", by launching a special UK tour this October.
Noble PR sent over these details: The former bassist, and singer of Deep Purple, will perform the legendary rock album "BURN" on the trek and will also perform Deep Purple MKIII and MKIV songs.
Special guest on all UK shows is Canadian rock and roll band, The Damn Truth. Glenn's band will feature Soren Andersen (guitar), Ash Sheehan (drums) and Bob Fridzema (keyboards). (continue)
The Reelz TV network will be marking today's 20th anniversary of the Great White Station Nightclub Fire tonight, February 20, 2023 by rebroadcasting their 2022 documentary "America's Deadliest Rock Concert: The Guest List" at 9PM ET/6PM PT.
Here is the story that we ran last year for the premiere of the film. Reels will be looking back at the tragic 2003 Station Nightclub fire that broke out during a Great White concert that claimed the lives of 100 people, including guitarist Ty Longley, in their new special "America's Deadliest Rock Concert: The Guest List", on the anniversary of the tragedy. (continue)
(The Publicity Connection) The Focus 50 UK Tour was delayed by the pandemic and finally arrived in the UK in March 2022. They have now announced some additional rescheduled & new shows in April and June.
In 2019 Focus released their first studio album for 6 years, Focus 11, which came complete with brand new Roger Dean artwork. The year was then spent touring from South America to Japan and everywhere in between in support of the new album. (continue)
Oceanhoarse celebrated the release of their sophomore album "Heads Will Roll", by sharing a lyric video for the record's opening track "Fall Like Dominoes".
Ben Varon said of the song, "Fall Like Dominoes was the obvious choice for the opening track of the album, with its big, epic build-up. I love this song, to me it sounds like a mix between Metallica and Children Of Bodom, with a serious Hoarse-y twist!" (continue)
The Hold Steady have announced that they will be doing a run of March UK instore appearances, ahead of the release of their new album "The Price of Progress", which arrives on March 31st.
"We are very excited to be celebrating our 20 year anniversary as a band, as well as our upcoming record The Price of Progress, with in store appearances at Rough Trade Stores in London, Bristol, and Nottingham. (continue)
Former David Lee Roth guitarist Steve Vai revealed during a new interview that he is "sitting on a whole Ozzy [Osbourne] record", that he recorded with the legendary Black Sabbath frontman back in the mid 1990s.
Vai spoke to eonmusic about his new Vai / Gash album that was shelved for three decades. During the chat, Steve was asked what it was like to work with Ozzy in the 1990s
Vai co-wrote the song, "My Little Man", that appeared on Ozzy's 1995 album "Ozzmosis". However, Vai revealed that the two actually worked on an entire album at the time. (continue)
Adam Masterson just released his brand new album, "Time Bomb," and to celebrate we asked him to tell us about the record's title track (which also just got an official video). Here is the story:
I came up with the title first. I was trying to think of a potential title for an album and kept the title in the back of my mind. I wrote the music during the first lockdown. I was staying in a music studio which had a piano so the composition came together on keys. When I came to the chorus I remembered the title I had and put the two things together. I liked the idea of time as a metaphor and the tension it can build up in our lives. I recorded the song remotely and via correspondence with musicians out of the necessity of Covid restrictions. This forced me to work in a new way, but I really enjoyed the experience as it gave the recording a unique flavour to open the album. (continue)
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